
Since the deaths of Arthur Miller and August Wilson, there are several candidates to assume the mantle of the title "America's greatest living playwright." If you want to go by success and money-making, then Neil Simon may deserve the crown (although I would argue that his work suffers from a certain ingrained schema -- that is, A doesn't like B but by the end of the play they are married, in love, roommates, friends, whatever. In my opinion, his output is merely a variation on the themes in THE ODD COUPLE.) Besides, Simon is mostly known for writing comedy, and as everyone knows comedy doesn't really have the heft that drama does. (Okay, sarcasm doesn't always translate on the page.) One of the leading writers deserving of the title, however, is Tony Kushner, who like Miller does not shy away from leftist causes in his plays and like Wilson is the voice for a disenfranchised group. In a relative short time, Kushner has amassed a Pulitzer Prize, two Tony® Awards, an Emmy and an Oscar nomination and various other accolades. His best known play is the two-part ANGELS IN AMERICA, which was adapted into an acclaimed HBO miniseries, but lately he has branched out to include screenwriting, collaborating on MUNICH, and working in the musical idiom with an adapted libretto for the children's opera BRUNDIBAR and the autobiographical Broadway show CAROLINE, OR CHANGE. With the exception of the film, many of these works, as well as others, are on display in Freida Lee Mock's profile WRESTLING WITH ANGELS: PLAYWRIGHT TONY KUSHNER. Mock won an Oscar for her documentary on architect Maya Lin, and she trains her camera on Kushner over the course of three years. She structures the film like a play with a prologue, three acts and an epilogue. It follows the writer in various aspects of his life and career, as he travels throughout Manhattan and later makes a visit to his hometown of Lake Charles, Louisiana. For anyone who is unfamiliar with Kushner, the film provides a positive profile of the writer -- a leftist homosexual who doesn't shy from taking on controversy in his works. He appears almost prescient in having written a drama about Afghanistan, HOMEBODY/KABUL, before the terrorist attacks on September 11, 2001 and he takes fervent stands -- such as an anti-war one which leads to a book project and a play-in-progress with Laura Bush as one of the characters. The First Lady appears reading her favorite book, THE BROTHERS KARAMAZOV to apparently dead Iraqi children in ONLY WE WHO GUARD THE MYSTERY SHALL BE HAPPY. (Actress Marcia Gay Harden is seen performing a snippet of the scene.) If one is familiar with Kushner, though, there really are no surprises. Mock covers his childhood in Louisiana, the death of his mother, the struggle of his father to accept his son's homosexuality, his commitment ceremony to ENTERTAINMENT WEEKLY editor Mark Harris (which was one of the first same-sex unions reported after changes in policy at THE NEW YORK TIMES), and various productions of his plays. Had the FCC not cracked down on ridiculous things like language, the film might have found its best outlet on public television. As it stands now, perhaps one of the cultural channels might pick it up as an ancillary outlet. WRESTLING WITH ANGELS has several weaknesses: for instance, Kushner's relationship with Harris is not portrayed prior to their union. There are virtually no critical voices in the piece. As much as I like and admire Mr. Kushner's work, I know for a fact that there are many who don't. It may have presented a more balanced picture to include some of them. Instead, the film has a faint whiff of hagiography about it. In general, the movie presents a very personable and even likable writer who seems to be at the height of his career. Still, there is little context for where he stands in the pantheon. In other words, that mantle of "America's greatest living playwright" may still be up for grabs. Rating: B- Running time: 98 mins. MPAA Rating: NONE |

| Wrestling with Angels: Playwright Tony Kushner |

| © 2006 by C. E. Murphy. All Rights Reserved. |