

For a variety of reasons, I was unable to see THE WAR TAPES when it premiered in New York City at the 2006 Tribeca Film Festival where it was awarded the prize for Best Documentary. Fortunately, the movie is receiving a theatrical release and I would encourage you to seek it out when it comes to your town, whatever your views on American involvement in Iraq. Filmmaker Deborah Scranton was given the opportunity to be embedded with troops in Iraq. Undoubtedly, if she had accepted that position, she might have turned out a film similar to last year's GUNNER PALACE. Instead, she hit upon the novel idea of arming several soldiers from the Charlie Company, 3rd of the 172nd Infantry Regiment with digital video cameras. Thanks to the Internet, Scranton was able to take the footage shot by the men in Iraq and edit it. She augmented their sequences with interviews with family members in New Hampshire and Massachusetts. Somehow, with the help of editors Leslie Simmer and producer Steve James (who is best known for his own documentaries like HOOP DREAMS and STEVIE), they assembled footage that runs a mere 97 minutes but which fully encapsulates the one-year tour of duty for these soldiers. Three men emerge as main characters. Specialist Mike Moriarty is the oldest, a married father in his mid-30s, he served as a direct response to the events of September 11, 2001. Sergeant Steve Pink is an aspiring writer who enlisted in part to pay for his education. He sometimes quotes from his journal in which he displays his intelligence and creative abilities. Some of his writing borders on black comedy, such as describing an argument over whether severed limbs resemble ground hamburger or pot roast. The third is the most intriguing: Lebanese-born Sergeant Zaher "Zack" Bazzi who had already seen action in Bosnia and Kosovo. The footage shot by the soldiers ranges from the mundane (escorting caravans of trucks carrying everything from cheese to waste) to being thrust in the heat of battle with bullets flying and bombs exploding. The men detail the frustrations, fears and humor of serving in the military. While they feel they have a duty and their presence in Iraq is for a good cause, they are cynical enough to realize that someone is getting rich off the war. THE WAR TAPES is an important document of the American participation of in Iraq. I came of age during the Vietnam conflict when television played an important role is bringing that war into the living rooms of American homes. Despite the presence of embedded journalists, the fighting in Iraq isn't presented to us in the same manner. Instead of finding stories like these on the small screen, it has fallen to motion pictures to take up the slack. With the advances in technology that have allowed soldiers to carry cameras in their helmets and mounted on the dashboards of their tanks and humvees, documentaries like this film are the "new journalism." Whatever one's feelings about the war, THE WAR TAPES makes clear that the men and women who are serving in the armed forces deserve our respect and appreciation. Scranton has included a postscript to the men's service wherein they try to adjust to civilian life. Moriarty finds that people's initial curiosity about his service gives way to ennui. He also suffers from physical problems like carpel tunnel syndrome that has an effect on his job performance. (He sands and paints airplanes.) Bazzi doesn't really share his experiences with his mother -- a woman who survived her homeland's civil war and brought her family to the United States in the hopes of a better life. Pink appears to be the most affected by his service -- he has refused to get treatment for what was diagnosed as post-traumatic stress. From his journal entries, it's clear he has the talent to create a darkly comic novel; one can hope. Rating: A - MPAA Rating: NONE Running time: 97 mins. Viewed at Magno Review One |
| The War Tapes |






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