

How do you go about making a movie from a novel that has been called "unfilmable"? While some might argue that one should not attempt such an effort, others may put forth the idea that there are relatively few printed works that cannot somehow be dramatized. After all, there have been adaptations of works by James Joyce, Milan Kundera and Michael Ondaatje, to name but three. Surprisingly, one author appears to have proven impervious to filmmakers -- whether it be the esteemed staff of the BBC or Merchant/Ivory. That would be Laurence Sterne, best known for THE LIFE AND OPINIONS OF TRISTRAM SHANDY, GENTLEMAN. Undaunted, screenwriter Frank Cottrell Boyce and director Michael Winterbottom (who have previously brought two classics by Thomas Hardy to the screen as JUDE and THE CLAIM, and who also have earned plaudits for such contemporary works as 24-HOUR PARTY PEOPLE) have decided to undertake the movie. What they have achieved is a very well thought out and at times hilarious movie that approximates Sterne's literary posture in cinematic terms. What Cottrell Boyce and Winterbottom have done with the screenplay (written under the pseudonym of Martin Handy) is to take a "meta" approach to the material. Thus, actors like Steve Coogan, Rob Brydon, Shirley Henderson and Gillian Anderson appear as characters in the story as well as play actors named "Steve Coogan," "Rob Brydon," etc. There are wild moments in the film like the arrival of a crew to film extras for the DVD where British television personality Tony Wilson conducts the interviews. It certainly helps to know that Coogan based his most famous character, Alan Partridge, on Wilson. It also should be noted that Coogan portrayed Wilson in 24-HOUR PARTY PEOPLE, which happened to be directed by Winterbottom and written by Cottrell Boyce and co-starred Shirley Henderson. TRISTRAM SHANDY is filled with these moments and one could almost make a drinking game out of spotting them (with the caveat that one would get very drunk very quickly). There are factual antecedents for many of the characters and incidents in the film. For example, Steve Coogan purportedly took part in a hotel room romp with Courtney Love. In the film, "Steve Coogan" has to do an interview with a British tabloid in order squelch a story about a hotel romp with a shady lady. In many ways, the filmmakers were attempting to invoke a world that Sterne might have created if he were alive today. The film is deliberately messy, unformed and artificial. It opens and closes with improvisational sequences in which Brydon and Coogan engage in a contest of one-upmanship that is quite hilarious. And in much the way that Sterne tells the reader about his main character, the film's audience learns a great deal about "Steve Coogan" from his interaction on the set with the cast and crew. It's perhaps intentional that the production assistant assigned to Coogan is named Jennie (played by Noemie Harris) since Coogan's girlfriend and the mother of his newborn is also Jenny (Kelly Macdonald). I initially enjoyed the film when I saw it screened earlier in the year. After reviewing the DVD (which includes the Wilson interview, deleted and extended scenes and commentary tracks), I felt some of it didn't hold up as well as I had hoped. It's still a very smart film that will appeal to select audience. If you are looking for a straightforward, stuffy adaptation of the Sterne novel, you won't get it. If you are looking for a romp, then check it out. Rating: B+ MPAA Rating: R for language and sexual content Running time: 94 mins. |

| Tristram Shandy: A Cock & Bull Story |







| © 2006 by C. E. Murphy. All Rights Reserved. |
