
The Sundance-screened OFF THE BLACK marks the feature film debut of writer-director James Ponsoldt and if there's a whiff of autobiography about it, so much the better. The film is a modest comedy/drama about what it means to be a parent and a child and it is anchored by a strong performance by Nick Nolte. Nolte plays Ray Cook, a junkyard worker who moonlights as an umpire. As the film opens, he is calling a game being pitched by Dave Tibbel (Trevor Morgan) and Ray determines the ball was "off the black" and therefore a ball, resulting in Dave's team losing the playoffs. Many in the crowd took issue with the umpire's call, not the least because Ray tends to drink too much. As payback, Dave and two friends show up later that night to vandalize the ump's home, spewing toilet paper and garbage in his front yard and breaking the window of his car. Although he was sleeping off the effects of several beers, Ray rallies enough to get a loaded gun and catch one of the vandals -- Dave. He proposes a deal: Dave will clean up the mess and pay for the car window and Ray won't report the matter to the police. It seems that Dave has some issues of his own. His mother abandoned the family some two years earlier and Dave and his younger sister (the appealing Sonia Feigelson) struggle to maintain normalcy. Their somewhat eccentric father (Timothy Hutton) is remote and uncommunicative and appears to be struggling to get through each day, often avoiding his work as a photographer. The business transaction that Dave and Ray have concluded eventually gives way to a different sort of bond and the gruff older man and the teenager find some common ground. One day, Ray offers a proposition: to wipe the slate clean, all Dave has to do is accompany Ray to his 40th high school reunion and pretend to be his son. Reluctantly, he agrees and the pair embark on the adventure with some surprising results. Nolte is superb as the older man, struggling with the legacy of Alzheimer's disease that has crippled his own father, his alcoholism, and other ailments. He is matched scene for scene by Morgan, who offers a strong performance. I can recall seeing this young man as a child actor in a story arc on the medical drama ER. It's great to see that he has made the transition from kid performer to young adult and that he continues to display the kind of chops that should serve him well in the future. OFF THE BLACK is a small picture that might get lost amid all the holiday hoopla and Oscar-bait fare that is clogging the cineplexes. It's worth seeking out; those who do will find a sweet but not saccharine story. Rating: B MPAA Rating: R for a crude sexual remark Running time: 92 mins. Viewed at Magno Review Two |

| Off the Black |

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