| Cursed (2004) |
When people hear that director Wes Craven and screenwriter Kevin Williamson have reteamed on a werewolf movie called CURSED, I’m sure many hope that lightening will strike twice. After all, this is the pairing that revitalized the tired slasher flicks by adding a strong sense of humor with the SCREAM franchise. Add the fact that Williamson earned extra points for his work on TV’s “DAWSON’S CREEK,” and expectations would ride high. Well, CURSED is no SCREAM, but it isn’t exactly a washout either, despite its troubled production history. Briefly, the film halted production while the script and special effects were tinkered with, leading to delays that required recasting of many roles. Initially, Craven and company were aiming for an R rating, but after the changes settled on the more audience-friendly PG-13. The on screen results are a pretty mixed bag, and the repeated delays in the film’s release have had a detrimental impact on one of the film’s minor plot points. In CURSED, Ellie (played by Christina Ricci) works at the now defunct “The Late Late Show with Craig Kilborn.” Despite all the changes to the screenplay, this one stayed in . . . although in retrospect it might have been better had the filmmakers fictionalized the show and its host. As pretty much everyone knows by now, Kilborn famously left the late night arena over contract issues in August of 2004, leading to a much-publicized hunt for a replacement and the eventual hiring of Craig Ferguson. The scenes in the film still work, but there a jolt when the show’s logo and its host appear in scenes. As in SCREAM, the prologue introduces a “name” performer who the audience knows will fall victim to the killer. In the case of CURSED, there are two young actresses, Shannon Elizabeth and Mya. Friends who have dipped into the same dating pool, the pair decide to have their fortunes read at a carnival. Expecting the reader (Portia di Rossi) to tell them about their love lives, they are taken aback when she starts to carry on about a beast and impending doom. We then meet Ellie (Ricci), a single woman helping to raise her teenage brother Jimmy (Jesse Eisenberg) after the death of their parents. Jimmy is the quintessential screen nerd. He strikes out while trying to impress Brooke (Kristina Anapau), a classmate on whom he has a crush, mostly because her boyfriend Bo (Milo Ventimiglia), the captain of the wrestling team, pushes him around. After meeting with her boyfriend Jake (Joshua Jackson), a mysterious nightclub owner, Ellie picks up her brother and while driving home, hits an animal and causes another car to careen off the road. That driver, Becky (Shannon Elizabeth), is trapped inside the car, and the siblings struggle to free her. At which time, the animal -- which in actuality is a werewolf -- strikes, wounding both of them and dismembering Becky. As the siblings begin to notice subtle but unmistakablechanges to their bodies, they each deal with the aftermath of the attacks in different ways. Ellie goes into denial and sets about to do her job, which entails booking guests on the show. She’s dragged to a party by a bitchy public relations expert (Judy Greer) to entice actor Scott Baio (playing himself in a cameo) into an appearance on the show. Meanwhile, Jimmy begins to enjoy the changes wrought by the attack, especially when he’s forced to try out for the wrestling team (with the appropriately amusing results). Spurred on, he does extensive research on their “condition.” The film continues in this vein, alternating amusing and scary, but never fully settling on one tone. Perhaps because of the rewriting and reshooting, the film begins strongly but lapses into a convoluted series of endings. Just when you think the film is over, it veers off into a slightly different direction. The cast does well, with Ricci and Eisenberg, in particular standing out. There’s a nice, believable interplay between them and it’s exciting to watch Eisenberg (who was so good in ROGER DODGER) grow as a performer. Coming on the heels of several other bad horror films like ALONE IN THE DARK, HIDE AND SEEK and BOOGEYMAN, and in spite of its troubled pedigree, CURSED still delivers some well-placed laughs (look for a surprise confession from Ventimiglia’s character) and a few nail-biting chills. Rating: C+ MPAA rating: PG-13 for horror violence/terror, some sexual references, nudity, language and a brief drug reference Running time: 96 mins. |










| © 2005 by C. E. Murphy. All Rights Reserved. |

